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Fanfare - Walton*, Constant Lambert, Arthur Bliss - Three English Ballet Suites (CD)

8 thoughts on “ Fanfare - Walton*, Constant Lambert, Arthur Bliss - Three English Ballet Suites (CD)

  1. Horoscope / Constant Lambert () --Façade [suites no. 1 and 2] / William Walton () --Checkmate / Arthur Bliss (). Series Title: Hyperion Helios series. Other Titles: English ballets 3 English ballets Three English ballet suites: More information: dumbgawednigiflotymitoprogasnews.xyzinfo
  2. Chamber Orchestra/ William Walton/ Edith Sitwell/ Constant Lambert incl Lambert/ Bliss/ Warlock/ Berners; Fade – Suite arranged for wind ensemble Ensemble EML Haffner Wind Ensemble of London incl works by Ravel/ Haydn/ Reicha/ Matthews/ Barber; Fade Orchestral Suite No. 1/ Fade Orchestral Suite No. 2/ Fade Orchestral Suite No. 3/ Sinfonia.
  3. Composer(s): Sir Arthur Bliss Released in: Country: Great Britain Genre: Drama, Science Fiction, Foreign: Also known as: Whither Mankind (, Great Britain, working title); Shape Of Things To Come, The (, Great Britain, working title); Hundred Years To Come, The (, Great Britain, working title).
  4. Façade is a series of poems by Edith Sitwell, best known as part of Façade – An Entertainment in which the poems are recited over an instrumental accompaniment by William dumbgawednigiflotymitoprogasnews.xyzinfo poems and the music exist in several versions. Sitwell began to publish some of the Façade poems in , in the literary magazine dumbgawednigiflotymitoprogasnews.xyzinfo many of them were given an orchestral accompaniment by Walton.
  5. Lambert*, Bliss*, Walton*, English Northern Philharmonia, David Lloyd-Jones ‎– Three English Ballet Suites: Horoscope / Checkmate / Façade Label: Hyperion ‎– KA
  6. Lambert, Walton, Bliss 3 English Ballet Suites Longbox CD Hyperion Classical New. £ Lambert / Bliss / Walton - Three English Ballet Suites CD. £ From Germany. £ postage. HYPERION 3 ENGLISH BALLETS - CONSTANT LAMBERT, ARTHUR BLISS AND WILLIAM WALTON. £ Top Rated Plus. Free postage.
  7. An attractive compilation. There are some old friends in this nicely nostalgic trawl through EMI’s back catalogue. The recordings date from the days of Robert Irving’s Covent Garden LP of to the most recent, which is Vernon Handley’s recording of Bliss’s Checkmate from There are no sub-par recordings here, and newcomers will enjoy the selection, whilst old stagers can, if.
  8. The concert suite accounts for about two-thirds of the complete score (25 minutes out of 35). The Walton–Lambert relationship was a close one, both personally and musically, and has yet to be examined in detail. It seems that though Lambert was the younger by three years or so, he was the natural mentor and guide, rather than the other way.

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